Keyword search (4,164 papers available)

"rhythm perception" Keyword-tagged Publications:

Title Authors PubMed ID
1 Topography of Functional Organization of Beat Perception in Human Premotor Cortex: Causal Evidence From a Transcranial Magnetic Stimulation (TMS) Study Lazzari G; Costantini G; La Rocca S; Massironi A; Cattaneo L; Penhune V; Lega C; 40344601
PSYCHOLOGY
2 The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production Matthews TE; Thibodeau JN; Gunther BP; Penhune VB; 26869969
PSYCHOLOGY

 

Title:The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production
Authors:Matthews TEThibodeau JNGunther BPPenhune VB
Link:https://pubmed.ncbi.nlm.nih.gov/26869969/
DOI:10.3389/fpsyg.2016.00069
Publication:Frontiers in psychology
Keywords:beat perceptionexpertisemotor timingmusical trainingrhythm perceptionrhythm productiontapping
PMID:26869969 Category:Front Psychol Date Added:2019-06-07
Dept Affiliation: PSYCHOLOGY
1 Laboratory for Motor Learning and Neural Plasticity, Department of Psychology, Concordia University Montreal, QC, Canada.

Description:

Studies comparing musicians and non-musicians have shown that musical training can improve rhythmic perception and production. These findings tell us that training can result in rhythm processing advantages, but they do not tell us whether practicing a particular instrument could lead to specific effects on rhythm perception or production. The current study used a battery of four rhythm perception and production tasks that were designed to test both higher- and lower-level aspects of rhythm processing. Four groups of musicians (drummers, singers, pianists, string players) and a control group of non-musicians were tested. Within-task differences in performance showed that factors such as meter, metrical complexity, tempo, and beat phase significantly affected the ability to perceive and synchronize taps to a rhythm or beat. Musicians showed better performance on all rhythm tasks compared to non-musicians. Interestingly, our results revealed no significant differences between musician groups for the vast majority of task measures. This was despite the fact that all musicians were selected to have the majority of their training on the target instrument, had on average more than 10 years of experience on their instrument, and were currently practicing. These results suggest that general musical experience is more important than specialized musical experience with regards to perception and production of rhythms.





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